Summarize how did the local struggle in vietnam reflect the larger cold war conflict?

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1.Draw Conclusions Why did the French withdraw from Indochina in the 1950s?

2.Apply Concepts How was American involvement in Vietnam an extension ofthe Truman Doctrine?

3.Compare Points of View What different opinions did Americans have aboutU.S. involvement in the Vietnam War?

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During the Cold War existed a kind of status of belligerence between the US and USSR as representatives (champions) of Capitalism and Communism intended as Economic, Political and Social ways of life. This belligerence was not direct and face to face but rather indirect and....fought by others!

The American fought in Vietnam indirectly against the USSR supporting the South against the North, while the USSR supported (more or less actively) the North with weapons, supply, training, intelligence, etc.

Basically, there were no battles or fighting between Russians and Americans (like in a "normal" war) but, as in a chess game, the two adversaries fought each other using different "pieces" on a chessboard that was Vietnam.

Summarize how did the local struggle in vietnam reflect the larger cold war conflict?

[...but who was really pulling the strings? Difficult to say!]

Many times the politicians in both sides (Lyndon B. Johnson, Richard Nixon, Nikita Khrushchev) hinted that they were really fighting either the forces of evil that were against world peace and democracy (the communist) or the colonialist and imperialistic oppressors of the weak and poor workers (the Capitalists).

The American frequently reiterated the existence of a "Domino Theory" that implied that if Vietnam fell to Communism soon other neighboring nations would necessary fall as well spreading Communism in the region and then probably to the entire World.

Abstract

The American-Vietnamese War can best be analyzed in the context of three distinct entities: Vietnam, the United States, and the larger world. It can be seen as an episode in the larger history of each of these entities. This important war resulted from a confluence of factors that were deeply rooted in these histories. The first is Vietnam's revolutionary tradition and centuries-long struggle for national independence. Second is U.S. foreign policy, driven by the Cold War but chronically outward-thrusting. Third is a global context of anticolonial, anti-imperialist, and socially transformational revolutions in the twentieth century.

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Devoted to historical analysis from a global point of view, the Journal of World History features a range of comparative and cross-cultural scholarship and encourages research on forces that work their influences across cultures and civilizations. Themes examined include large-scale population movements and economic fluctuations; cross-cultural transfers of technology; the spread of infectious diseases; long-distance trade; and the spread of religious faiths, ideas, and ideals. Individual subscription is by membership in the World History Association.

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Since its establishment in 1947, University of Hawai'i Press has published over 2,000 books and over 900 journal issues. Within the worldwide scholarly community, University of Hawai'i Press is recognized as a leading publisher of books and journals in Asian, Asian American, and Pacific studies. Disciplines covered include the arts, history, language, literature, natural science, philosophy, religion, and the social sciences. The University of Hawai'i Press also serves as a distributor for more than 140 scholarly publishers in North America, Asia, the Pacific, and elsewhere.

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Studies in Popular Culture is the refereed journal of the Popular Culture Association / American Culture Association in the South. The editor invites the submission of articles dealing with any aspect of American or international, contemporary or historical, popular culture. Studies in Popular Culture is published biannually, with one issue appearing in the fall and one in the spring. Formerly triannual, the journal has spun off what was its third issue to become the Popular Culture Association in the South's second journal, Studies in American Culture. Studies in Popular Culture publishes articles on popular culture however mediated: through film, literature, radio, television, music, graphics, print, practices, associations, events--any of the material or conceptual conditions of life. Its contributors, from the United States, Australia, Canada, China, England, France, Israel, Scotland, and Spain, include distinguished anthropologists, sociologists, cultural geographers, ethnomusicologists, historians, and scholars in mass communications, philosophy, literature, and religion.

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The PCAS, organized in 1971, is the largest, and from the view of those who have visited several regional meetings, the most thriving of the regional associations. Members of the organization come primarily from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, Missouri, North Carolina, South Carolina, Tennessee, Virginia, Washington, D.C., and West Virginia. Its activities are financed by conference registration fees and sponsoring institutional support. Young and diverse, this energetic organization has brought together scholars who share an interest in inquiring into all sorts of mass phenomena through a wide variety of disciplines and approaches. Its journal, Studies in Popular Culture, is a firmly established academic publication, and scholars working with topics in popular culture are invited to submit papers for consideration. The PCAS thus offers an opportunity for the coming together of scholars from colleges, universities, community colleges, and the general public, who have something worthwhile to say on matters involving mass society. It affords these individuals an occasion for direct response to their cultural context.

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How were the Korean and Vietnam wars similar in terms of their impact on the Cold War?

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